Showing posts with label Social TV. Show all posts
Showing posts with label Social TV. Show all posts

Video Search Coming to X-box Live

On the march to Microsoft’s transition of X-box from simple game console device to living room entertainment hub, the company announced the acquisition of yet another piece of the total solution to entertainment nirvana-video search technology. VideoSurf, whose technology "sees" frames inside videos to make discovering content fast, easy and accurate, will now be integrated into the X-box.

Video content analytics is a keystone addition to the mix of services Microsoft plans to provide. It should do for video and the literal ocean of voice and image data locked in its frames, what text-based search did for the written word online. With this technology, it’s now possible to do both visual and audio searches from web sites, as well as premium content providers like Bravo and HBO, to find specific videos in real-time. There’s even a mobile app available from VideoSurf as well.

You can see a cool VideoSurf video that covers the four critical components of the technology; identify, surf, watch, and share. For example, there is a social component to the technology that offers personal profile, my search, and also allows user to "like" a show and actually post a specific video scene along with the comments. That’s sure to get interaction flowing in the social space.


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The video ID technology is at the cutting edge of next generation search, delving into the video in meaningful ways for viewers. Voice and image recognition software can be applied to video frames to identify specific people and objects.

The implications are not only a richer viewing experience, but commerce will use the technology to recognize and tag images, offering new and compelling ways to connect advertisers with customers interactively with a growing base of content.

One look at the X-box content page tells the story with key players lined up in U.S. and worldwide that include ESPN, HuluPlus and Netflix. Microsoft claims up to 40 providers including Bravo, Cinemanow, HBOGo and many others will be available to the MS Live network "at some future point in time." Regionally, Microsoft announced content partnerships with BBC in the U.K.; Telefónica in Spain; Rogers On Demand in Canada; Televisa in Mexico; ZDF in Germany; and Mediaset in Italy.

The picture is becoming more lucid, as Microsoft has continued to introduce new and compelling technology to improve its X-box offering. Kinect gesture driven input is one good example, along with Bing voice enabled search, which extends the human input range beyond mouse and keyboard to the growing base of content the X-box Live system is building for its 35M subscribers.

When technologies are added up, Microsoft has a compelling offering to bring to the living room. This includes gesture (Kinect) and voice activated input, video phone features (Skype) combined with the power of text based search, (Bing) and now video search (VideoSurf) all conceivable accessible from both the Xbox game console and potentially, Windows Mobile O/S in the future. And perhaps the best lesson for Apple and Google TV offerings, never count out Microsoft; they keep swinging until they get it right.

By Steve Sechrist, Display Daily

ConnecTV Gives US Stations TV Everywhere

US local TV station groups covering 76 million American homes are partnering with ConnecTV to launch a free second screen application in early 2012 that will offer viewers additional content and social media features tied to live TV. As part of the agreement, a number of the broadcasters have also made an undisclosed investment in the Silicon Valley start-up.

Many national broadcasters, cable channels and programmes have launched second screen apps as a way of enhancing live TV viewing and to capitalise on the growing usage of mobile devices and social media. But the deal between the broadcast groups and ConnecTV marks the largest attempt by local broadcasters – a number of whom compete with each other – to work together on social media and second screen applications.

The ConnecTV platform automatically synchronises with whatever channel a viewer is watching. Users who have signed up for the service at its web site or have downloaded an app for smart phones or tablets can interact with others who are watching the same show and access a wide array of related content.

If a viewer is watching a local newscast, for example, the application might show related news stories, which the user could access or share with friends. Alternatively, the application might offer polls or stats related to a sporting event. Local ads and promotions are also synched to the programs being viewed, opening up new revenue opportunities the companies hope.

The ten television broadcast groups involved in the ConnecTV partnership are active in 45 of the top 50 markets and own 201 stations in markets covering 76 million US households. Those groups include Barrington Broadcasting Group as well as the nine broadcast groups that make up the Pearl Group (Belo Corp., Cox Media Group, E.W. Scripps Co., Gannett Broadcasting, Hearst Television Inc., Media General Inc., Meredith Corp., Post-Newsweek Stations Inc. and Raycom Media.)

Speaking on behalf of the Pearl Group, Alan Frank, president and CEO of Post-Newsweek Stations noted that a growing portion of their audiences are active social media users and that many of them were using laptops, smartphones and tablets while watching TV.

“There is more TV viewing than ever but people are doing it differently,” said Frank. He cited a 2010 Nielsen study concluding that two thirds of people aged 18 to 54 reported watching TV while they accessed the web and that 70 per cent of tablet owners used their tablets while watching TV.

The Pearl Group was originally set up by nine broadcast groups to coordinate the launch of mobile DTV services but the growing importance of social media and the increasingly widespread usage of tablets, smart phones and laptops to access video, convinced members to explore way that they might be able to capitalize on those trends.

Source: Advanced Television

Technicolor Launches Second-Screen Synching App for Blu-ray, VOD, Broadcast

With tablet and smartphone use seemingly on a vertical trajectory with no end, Technicolor has decided to roll out a 'second-screen' app that pay-TV operators can offer to enrich their linear and/or video on demand (VOD) offerings.

Analysts say that up to 70% of consumers use a laptop, tablet or mobile device to supplement their home viewing experience, whether engaging in social media or browsing for more information about the program they are viewing. Technicolor MediaEcho makes that easier, by automatically synchronising that secondary content with whatever the consumer is watching.

Information offered at consumer fingertips include cast, crew and production information, historical facts, and ancillary audio and video for tablets that allow viewers to deepen their engagement with the program without cluttering the main screen.

The app can also enable integration of social media, so users can post comments, share content and connect during their viewing experience. MediaEcho can also help with top-line revenue generation, because it can enable e-commerce within the app, allowing fans to purchase items related to the program right from their tablet.

The synching is accomplished via Technicolor’s own audio watermarking technology, which inserts an inaudible high-frequency sound that allows the app to synchronise even in the presence of ambient noise.

Synchronisation of content also works with Blu-ray disc, a feature made possible through BD-Live technology to enable a two-way communication between any Internet-connected Blu-ray Disc player and tablet device.

The intial MediaEcho launch is for Apple iOS and Android.

Technicolor is not the first mover in the market: Miso recently launched the same type of app, inking deals with DirecTV and AT&T.

By Michelle Clancy, Rapid TV News

Tablet TV: This is Just the Beginning

The tablet boom has already transformed the TV Anywhere and OTT strategies of some Pay TV operators but the real disruption is yet to come. The tablet market has so far been dominated by Apple with the iPad, but now attention is switching to Amazon whose product has been factored into forecasts by some analysts even before its launch. Forrester Research predicts it will give Apple a run for its money and notch up sales of up to 5 million units worldwide during the last quarter of this year. Apple, by contrast, will sell anywhere between 10 million and 22 million iPad2s in the same period depending on whose forecast you believe in a highly volatile and wildly fluctuating market.

For Pay TV operators the point is that the Amazon device, assuming analysts’ predictions are correct and that its launch is imminent, will retail for around $250, or perhaps under €200 in Europe, about half the price of the iPad2, and be designed with video in mind. It could turn the tablet into the second TV of choice for many homes during 2012, making it imperative that Pay TV operators act immediately to ensure that this is an opportunity rather than a threat to their business.

Some operators have already done this, with the consensus being that tablets should be embraced as companion devices acting as remote controls and programme guides or for associated activities such as voting in games or reality TV shows, as well as alternative TVs themselves. And without question there should be no extra charge for delivering content to tablets or any other device. This point was made before IBC by US satellite operator DISH Network, whose VP of Consumer Technology Vivek Khemka argued that extending TV services to tablets should not be viewed as an immediate revenue opportunity but as a competitive measure.

“I think the revenues will flow from the customer becoming stickier, and maybe upgrading to premium packages,” said Khemka.

The same line has been taken by Liberty Global with its multimedia gateway called Horizon, which was unveiled at IBC. This includes Wi-Fi ports to deliver TV services to tablet devices at no extra charge. Liberty Global is conducting field trials with Horizon in the Netherlands with commercial launch planned for Q1 2012 by its UPC operation there, followed by its operations in Switzerland and Germany soon after. The aim is to attract developers of Apps to enrich the service both on tablet devices and primary TVs.

“We have ripped up the set-top and made it into a platform so that users can seamlessly navigate content and integrate it onto many devices in multiple places,” said Mike Fries, President and CEO of Liberty Global.

For operators such as Liberty Global, the challenge is to tie tablets into their Pay TV package to prevent consumers from defecting to emerging services that may provide some of the same content free over-the-top. One point in their favour is that at present tablets will consume most TV content over Wi-Fi within the home, rather than over cellular 3G or 4G services that are as yet incapable of delivering premium video services through lack of consistent bandwidth. This means that operators who supply the broadband connection are well placed to provide content to tablets within the home, especially if they can integrate them with the service as companion devices.

Tablets in companion mode can also create the indirect revenue opportunities alluded to by Khemka at DISH Network by increasing engagement with the content being watched on the big screen, drawing more viewers in. During the IBC conference several speakers referred to the ability of companion devices, which admittedly could be smartphones or laptops as well as tablets, to boost audiences for less popular niche content by providing an added element of entertainment or enlightenment.

Such entertainment can involve integration with social media, and this has been exploited very effectively by the UK Eden channel, which re-broadcasts natural history and action programmes made by the BBC and others. The channel allows viewers to vote via companion devices on aspects of programmes, such as their favourite wildlife attraction, with prizes. It also features question and answer sessions via Facebook with major wildlife presenters such as David Attenborough.

“This has led to a 112% increase in viewing within the key 16 to 34 age group,” said Steve Plunkett, Director of Innovation and Technology at Red Bee Media UK, which worked with the Eden channel on the project. Speaking at an IBC conference panel, Plunkett described this as a striking result given that the Eden channel broadcasts content that is quite specialised rather than having mass-market appeal.

To be successful with tablets, operators or broadcasters must play to their strengths rather than just treating them as second TV sets, as the Eden channel has done. The failure of mobile TV so far can be attributed partly to an inability to exploit smaller screens properly, according to Sefy Ariely, VP for Sales and Marketing at IPTV middleware and content discovery specialist Orca Interactive.

“At the end of the day the reason I believe mobile TV was not successful is because it was trying to take the experience from one context to another,” said Ariely, speaking to Videonet at IBC.

This led to a temporary loss of interest in convergence between fixed and mobile TV, according to Ariely, but now the tablet is fast bringing it back. “We have watched how the iPad and tablet have sown the seeds for a tsunami of multi-screen and TV Anywhere discussions, and seen everyone scrambling while for us it was already built-in. We see this as another step in the trend towards personal TV.”

Indeed it is the potential of tablets to personalise the whole TV experience that holds the keys to success for operators, according to Neale Foster, VP of Global Sales at ACCESS, a provider of software for portable and wireless devices. “Apps can seriously enhance that experience and that is the point of companion and multi-screen devices,” said Foster, speaking on a panel hosted during IBC by CA and Pa TV software provider NDS. “They must be enjoyable and fun.”

Over time apps on tablets as companion devices also have potential to create those elusive new revenue opportunities that Pay TV operators are craving, by enabling adverts that play across both screens with scope for interactivity. “I think when the advertisers and media buyers get hold of this it is going to go stellar,” said Steve Godman, Sales Director at London-based digital media agency Skinkers, speaking on the same NDS sponsored panel. “The minute you get a really robust advertisement platform plugged into this stuff you will start generating revenue from it”.

The tablet boom has opened this door for advertising related apps, Godman added. “Tablets change the dynamic – you don’t have to fire up a laptop.” But for advertising, as with the associated programme, the context must be right for the device. “The opportunity lies in providing the right content for the device.”

The potential of tablets is not just as companion devices, or even as second TVs within the home, but also to usher in the era of full TV Anywhere that is not confined to locations where wired connectivity or Wi-Fi access is available. This full tablet potential will emerge gradually over the next few years, according to Andrew Baron, Chief Operating Officer at the UK cable operator Virgin Media.

“We are starting to see the ecosystem emerging, with video and the mobile getting ever-closer,” said Baron at an IBC conference. “I confidently predict the major theme here (at IBC) in the next three or four years will be mobile.”

This will require either further improvement in the ability of mobile 4G networks to provide the required bandwidth and Quality of Service for HD video, or else carpeting almost the whole country with Wi-Fi. With the arrival of the tablet, the end device is now driving mobile video forward rather than holding it back as before.

By Philip Hunter, Videonet

DirecTV Syncs Up With Miso's Social TV App

DirecTV has enabled its HD set-top boxes to communicate with Miso's social TV app for the iPhone, to let the satellite operator's subs more easily share what they're currently watching on TV.

The Miso "second-screen" iPhone app, when connected to the same Wi-Fi network as a DirecTV HD set-top, shows what's on TV and automatically updates whenever the channel changed. Ordinarily, Miso forces a user to manually search for the show they're watching to share it on Twitter or Facebook, as well as rate the show and access related info.

Miso's iPhone app for DirecTV is available free to download at Apple's iTunes App Store.


Click to watch the video

By Todd Spangler, Multichannel News

TvTak Debuts App for “TV Show Detection”

TvTak is the fastest way to tell your friends what you’re watching on Facebook, Twitter or Email. All you need is an iPhone and regular TV. The TvTak advanced recognition technology does the rest.

When you’re watching TV and see something interesting, just point your iPhone to the screen. TvTak instantly detects what show or commercial you’re watching. It only takes one second. No need for typing the name of the show, or for cumbersome check-ins among long lists of programs.


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TvTak has developed innovative patent-pending algorithms for instant recognition of TV shows and commercials while they are being broadcast. TvTak technology runs on smartphones and tablets, using the camera, the processor, the network, and the localization services.

TvTak recognition algorithms are real-time; there is no need to process any video in advance. TvTak allow for instant video recognition of TV Shows as they are being broadcast. It works on any television set, and there is no need to have a special set-top box or to buy a new TV with WIFI connection.

In addition to TvTak Free App for consumers, TvTak offers a Software Development Kit (SDK) for the iPhone, and white-label service platform for telecom operators, marketers and interactive agencies to include instant video detection features within their own apps.

TvTak enhances the Television Experience by offering viewers apps displaying contextual elements in perfect synch with the television broadcast, opening opportunities for new cross-media branding and revenue.

How Anthony Rose Plans to Revolutionise TV

I have seen the future of TV and it is called Zeebox. The next project from Anthony Rose, the technologist who built KaZaA and BBC iPlayer in to some of the most disruptive digital media plays, is due to go live in October. Topped by Peoplesound founder and ex EMI SVP Ernesto Schmitt as CEO, the pair’s startup raised $5 million in seed funds from unidentified investors in June and has been operating in stealth as “tBone”. But it has been renamed and has just located at offices at London’s Covent Garden, where it has a staff of almost 30 (including former iPlayer engineers) and where the pair showed me an exclusive demo…

What is Zeebox?
Attempting to ride both the multi-screen TV engagement trend and the increasing adoption of internet TVs, Zeebox is a real-time system for social TV viewing and for engaging deeply around those shows that depends on recognising sofa-based second screens as the place for innovation.

The free Zeebox app for iPad (and, later, iPhone and Android) is a TV guide that displays what shows Facebook and Twitter friends are watching. Owners of compatible connected TVs can flip channel straight from the app, as though it were a remote control. Although the command takes place over the internet, the change happens as quick as or quicker than some standard infrared remotes.

Viewing Together
Notifications appear on-screen to indicate friends’ presence in channels. Users can chat in the iPad app and send invites to join one another for simultaneous viewing - accepting an invite results in the channel changing. “Jack, come and watch The Apprentice with me,” Schmitt tells me, by means of example.

As well as these personal connections, Zeebox users’ collective actions can shape the experience. The app displays real-time data for which shows are “trending” up or down. In a scenario Rose presents, a notification appears to say Top Gear is currently “hot” (perhaps Jeremy Clarkson has said something particularly egregious). The opportunity to surface breaking news in this serendipitous way is clear, along with the prospect of improving TV ratings measurement with actual real-time data.

Making TV Hyperlinked
But this “second-by-second” approach is the fabric of more than just Zeebox’s social interaction. Using both commercially licensable broadcast metadata and frame-by-frame analysis of live TV pictures and audio, Zeebox will apparently understand exactly what is on the TV screen at any given moment (“just as Google spiders the web”), in order to serve up all manner of related material on the handheld app.

As example, Schmitt shows how, whilst Tom Cruise is interviewed on Top Gear, the app will auto-display “infotags” for spoken topics (say, “Ferrari 458”, “Abu Dhabi”, “Sebastian Vettel” and “Tom Cruise” himself), as Cruise is speaking. Each topic becomes an in-app link to a corresponding piece of online content, on Wikipedia, IMDB, iTunes Store or whatever.

The method involved is Zeebox’s “secret sauce”, the subject of a pending patent application, but it’s called automated content recognition (ACR), a field with several vendors including Civolution.

“As context emerges on TV, these infotags just keep ticking up,” Schmitt says. “I find this so unbelievably exciting. Anything being discussed on TV is right there for you.” Or, as Rose puts it: “It’s like crack - you just keep wanting stuff, and getting it second-by-second. TV just becomes better.”

One of the intended uses of “infotags” is commerce. Schmitt wants viewers to be able to buy things relating to what they see on screen. As I flip channel to QVC, he assures me Zeebox will know what’s on-screen is a cubic zirconia ring - and offer me more information, as well as ways to buy that ring.

Programme Context
Rose wants in-app TV show pages to display live tweet streams as well as broadcaster-owned HTML “widgets” for custom show engagement. “BBC Red Button’s non-interactive, a bugger to author for and a bugger to use,” he says. “Imagine a next-generation Red Button toolset that allows people to author things for an IP age.”

From these show pages, Zeebox will also offer links to available on-demand episodes. They could be played on the tablet or smartphone, but Rose tells me users may eventually be able to use those handhelds to invoke playback on the TV. “I don’t have a full answer to these things yet, but we’ll experiment with the full infrastructure,” he says.

How it Works
At its most basic, an iPad user can “check-in” to shows manually (though Rose and Schmitt hate the GetGlue- and Foursquare-style gamification concept). To automate that process, the app can listen for shows’ audio fingerprints, Shazam-style. Connected TV owners get the full automatic experience because those TVs already know what shows are on.

“The browser in connected TVs lets you create HTML overlays and widgets,” Rose says. “We’ve created a lightweight, Javascript-based plugin that, on many 2011 and 2010 TVs, can be software-updated and user-installed.”

Zeebox is currently in demo on Samsung Smart TV and Rose, the former CTO of the YouView connected TV consortium, says: “YouView’s got a nice underlying architecture that will allow the Zeebox plugin to run on it, so we look forward to those discussions in the fullness of time.”

A Zeebox open API is also proposed to empower developers to build similar functionality in to their own apps. “There’s a shitload of technical work that needs to be done,” Rose says. “Getting there is non-trivial. We want to go to the moon.”

By By Robert Andrews, PaidContent

Why Syncing the Second Screen is Key

Thirty per cent of tablet use and 33 per cent of Internet use happens in front of the TV. And if not curated carefully, this could start to negatively impact TV’s influence. The next billion televisions will be Internet connected. That's going to turn TV viewing into a much more social experience – and provides the perfect platform for second screen integration.

In fact, a growing body of research is predicting that second screen apps – and especially social integration – could have a serious impact on the TV industry. Research by the mobile and digital technology researcher Mobile Interactive Group (MIG) has predicted that smartphone adoption will drive TV and mobile multi-tasking in UK and US. If handled right, this could result in a more engaged audience, significantly increasing programme interaction.

Rather than distracting viewers, one of the key ways that the second screen can draw viewer engagement is with personalisation and interactivity. In the future, apps could connect viewers to the social graph, aid content discovery, encourage interactivity, most important of all - serve real-time related content based on what the TV is showing.

But of course the key to success is being able to synch the app to the TV – without this the second screen experience can easily slip from enhancing the TV experience to pulling viewers away from the main screen.

The Problem with Syncing
To create a compelling real-time user experience, any second screen app needs to synch with the main TV – and finding out what’s playing on the TV is not easy. The most basic solution to this problem is to create a second screen app for one TV show in particular – e.g. encourage viewers to download the “Mad Men” app to use while watching a show. However, this doesn’t completely solve the problem, because showings differ depending on timezone, pay TV provider, and region. In the USA this problem is especially important to solve because many TV programmes premiere at different times on the East and West coast.

Approaches to Synching
1. Listening
Many companies are looking at the problem of syncing from different angles. ABC is using audio fingerprinting on the iPad to hear what the TV is playing. Similarly, Shazaam has just raised $32 million to “listen” to the TV, identify commercials, and provide related advertising content. And 12 week old startup IntoNow was recently acquired by Yahoo for 20 million used the technology to provide second screen interaction that travels with you as you move between programmes.

However audio fingerprinting or “listening” can require advanced technology and infrastructure and there are inherent problems with lag time between identifying the show (it clips ten seconds of audio, sends to servers, identifies, then sends back), background noise interference and the fact it works with native applications only, not generic web applications. And it needs a microphone or it won’t work.

2. TV Checkin
TV checkin, pioneered by the likes of GetGlue and Miso, requires minimal infrastructure to roll out. TV checkin encourages viewers to sign into a particular show, and chat about it as they watch. The major downside of this approach is that checking in makes an extra step – only the most highly engaged consumers participate.

3. Automated Systems
Anthony Rose has forecast the rise of automated systems that know the content we are watching now on the main TV, matching content on companion apps, with companies like Flingo coming out of stealth mode. The cleanest way to synch the second screen is to interface with the set top box software according to Rose. This requires intelligence in set top boxes, but connected and smart TVs are steadily gaining a foothold in the market. The advantage of this approach is that the consumer doesn’t have to do anything – their tablet or smartphone “just knows” what they’re watching. This perfectly complements the lean back attitude of TV, helping consumers embrace the second screen.

4. Curated Systems
Another method of triggering second screen interaction is offered up by companies such as The Application Store (TAS), Ex Machina, Screach, MIG’s mVoy and others who offer up white-label customer management systems. The systems give a framework that is tied to playout timelines in the studios and allow for creating interactivity and engagement such as quizzes, voting, predictions, social media, chat etc. on second screen devices via apps and web pages. And does not necessarily need audio fingerprinting to synchronise.

For instance, the TAS Screentoo application framework from is integrated into UK-based, global broadcast playout system provider Snell's broadcast automation system called Morpheus, used by over 700 broadcasters worldwide. The broadcasters can create, with real-time data essential to maintaining synchronicity between the primary broadcast and second screen devices.

Netherlands-based Ex Machina, Social TV veterans, work closely with a number of major production companies to create real time engagement around reality and game shows in particular, offering up their strong background in gaming and game mechanics to their clients in this emerging space with their PlayToTv platform.

As synchronising the second screen becomes easier, expect to see TV becoming more interactive, engaging and personalised. This is a trend that enables a lot of other changes that are happening in the TV industry- namely targeted advertising, social TV, and personalisation.

By Emma Wells, Appmarket.tv

Orange Checks In with iPhone Social TV App

With TV Check, its new social TV app, Orange is looking forward to “revolutionising the social TV experience”. Available free, the TVcheck community app automatically recognises programmes users are watching on the 19 French DTT channels based on visual recognition technology. It is now available to all iPhone users whatever internet supplier is and soon for other mobile operating systems.

TVcheck provides a multi-screen and game experience for discussing about TV content. The application allows users to share their thoughts on the show they are watching thanks to a number of social features such as status updates, comments and program recommendations. Users will be able to log in using their Facebook credentials, making it easy for them to add friends from their Facebook account.

Each user has his or her own profile, which gives him access to an activity log, messages and friends and enables to display the favourite programs using the "I like" function on each program’s page.

"We are all looking for shared digital experiences to stay connected with others. With TVcheck, there's no need to wait until the next day to talk about a good show seen the evening before. One can immediately do it when sitting in front of the TV in the living room", said Patrice Slupowski, VP Digital Innovation & Communities at Orange.

More information in this video.

By Pascale Paoli-Lebailly, RapidTV News

Companions Will Totally Disrupt Broadcast TV, for Good or Bad

The companion screen, especially in the form of the tablet, is going to create a major disruption to the television market by providing a compelling space where consumers can interact around content in an environment that is no longer controlled by the broadcaster.

That is the view of Anthony Rose, the Co-Founder and CTO of tBone TV, who is the former Chief Technology Officer at BBC iPlayer and YouView. But Rose believes there is also a great opportunity for broadcasters to harness these devices for social TV and counter the rise of on-demand viewing by enabling people to engage around live content.

As an example of how the companion screen can change the TV landscape, Rose forecasts the rise of automated systems that know the content we are watching now on the main TV so content on the companion can be synchronized.

“If the system knows the advert that is playing on TV, the advertiser can buy companion adverts for the companion viewing device. There could be a Nike advert on TV but on the companion you get a clickable Nike advert that will provide click-through statistics, analytics and targeting. It will be interesting to see whether broadcasters themselves get into the business of selling interactive adverts on the second screens or whether the advertising bureau will do that, or whether someone else becomes the new Google in this space and sells the new kind of advertising screen.”

Broadcasters could also lose control over how their content is treated on the companion devices. While they have been working to ensure the integrity of their programming on connected TVs, fighting against app-based overlays that they do not control, Rose does not believe they can maintain control of what apps providers do on the companion screen.

“If I am an app maker and the broadcaster does not let me do something on TV, that is not a problem because it is an open world out there,” he declares, referring to the second screen.

“We are going to see the dynamics change massively in this space and it will be very disruptive,” he continues. “The question is how quickly this new space emerges and I think it is going to be incredibly rapid because unlike with set-top boxes, where you have long lead-times for development, you can write something today for a companion device and have it live tomorrow, limited only by your imagination and audience take-up.”

tBone TV is still in stealth mode but from what Rose has revealed, the company is looking to provide software that can run in televisions and connect the TV experience across different screens and TV platforms.

“We want to create a new platform around what people are watching right now and create a huge and vibrant range of experiences around that,” he says. “Broadly speaking there is a new platform service and everything talks to the platform and that lets you create experiences that work in the home and out of home.”

It looks like social TV is one of the key applications that will make use of this platform. This could make viewers aware of what their friends are watching and help them communicate with them, regardless of which TV service or device they are using. Rose believes that in a world of infinite content it will be our friends who push us towards content, leading eventually to the demise of the Electronic Programme Guide, which he thinks is a terrible way of finding content, albeit the method we are familiar with. A simple example of social discovery would be a message to say that your friend is watching programme X, so you can join them on the same channel, while meanwhile their avatar appears and a chat window opens.

This is another potential source of disruption for broadcasters, especially those with good EPG placement, but Rose thinks they need to embrace the opportunities on the second screen and use them to find new and perhaps even bigger audiences.

“Broadcasters are both content providers and aggregators and today the aggregation play is the channel, though it could also be a portal,” he notes. “Though some are embracing it and some resisting it, broadcasters greatly fear VOD because it breaks the way they package content. But there is a new future where they can take their audience share - and the beauty of live is that lots of people are watching at the same time - and turn that into a seamless, automated two-way interactive experience.

“Broadcasters are uniquely placed to embrace the second screen experience because the audience is there. They still own the HD drama and the great visuals but they need to give away some metadata and build audience in a new way. Smart broadcasters, who embrace this, will find massive new audiences, probably skewed to the young initially.

“Instead of sitting in front of the TV like couch potatoes, we will have a range of activities around live TV that the broadcasters participate in. And this is not about using keyboards. People like to ‘veg’ [vegetate] in front of the TV but this is veg 2.0. It is a new way of discovering and watching content but it is no more difficult than the current way. Instead of flipping through the EPG you could easily flip through friends. It will be even easier to find something fun to watch.”

By John Moulding, Videonet

How Social is Your Favorite TV Show?

TV viewers are increasingly engaging in social media while watching their favorite shows. But which shows are drawing the most commenters and the largest share of the conversation? Cambridge, Mass.-based startup Bluefin Labs is using social media to not only measure engagement during TV shows, but also to find connections between shows that those viewers enjoy watching.

The company’s Response Level and Response Share metrics are essentially new ways to think about how a TV show stacks up against the competition. The new metrics are designed to measure how audiences talk about shows, both in terms of total number of commenters on a show, and the percentage of that show’s share of the conversation during the time in which it aired. And it’s rolling out its Bluefin Signals dashboard as a way for broadcasters and advertisers to see the connections between these shows and conversations.


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The platform determines what people are commenting on without the more traditional use of scanning for hashtags or keywords during a certain show, using video fingerprinting technology to determine what’s happening onscreen instead. It then matches TV action with social media response. Deb Roy, co-founder and CEO of Bluefin, Labs refers to this matching up as “mapping the TV Genome.”

The platform measures social media responses to more than 3,000 TV shows and more than 100,000 individual airings of those shows. Each month, it processes about 3 billion social media comments, matching them up against 2 million minutes of live TV during that time. The company hopes to have full coverage of all live TV shows next year.

While knowing how many viewers are commenting about a particular show might be of some value to broadcasters and advertisers who use social media sentiment during a show as a proxy for engagement, the more valuable tool might be in Bluefin Labs’ ability to draw connections between shows. This data on “cross-show engagement” is useful in determining affinity between shows — for example, recognizing that fans of One Tree Hill are also likely to watch Hellcats and 90210.


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That data can be used by broadcasters to help increase viewership — for example, running small ads on one show to promote another that fans might also like. Or it can be used by advertisers: If ad inventory on one show is in high demand, but its viewers have an affinity toward a show with a lower profile, agencies and brands can reach the same group of people with a less costly ad buy by betting on the second show.

Bluefin Labs isn’t the only company striving to measure social engagement with TV: Wiredset’s Trendrr recently introduced a social media TV chart, and SocialGuide aims to track social media mentions of shows in real-time.

By Ryan Lawler, GigaOM

The Next Big Thing: Linear TV?

Still think DVRs killed linear TV consumption? Well, think again. Recent numbers from the U.K. show that traditional TV consumption is actually more popular than ever. British viewers watched 28 hours and 15 minutes of linear television per week in 2010, according to the country’s Broadcasters’ Audience Research Board. That’s two hours and four minutes per week more than in 2009.

In other words: Brits just added another 18 minutes of TV viewing to their day last year, and they’re now watching a total of four hours and two minutes of linear TV per day. That’s not only a lot of TV; it’s more TV than the Research Board ever measured before.

Why do people stick to the broadcasters’ schedule, you might ask? The U.K.’s Media Week blog, which first reported the Research Board numbers earlier this year, points to one likely culprit: Twitter.

Media Week author Arif Durrani writes:
“Turns out those younger audiences, which [were] moving away from television since the arrival of mass Internet access 10 years ago, are actually quite adept at multi-tasking. Behind the near 20m headline figure who watched last year’s X Factor final on ITV lurks a social media success story. More than a quarter (26%) of all viewers used Twitter or Facebook to interact with the show, according to new research from Brand Driver.”

We’ve been writing about Twitter’s ability to function as a global water cooler around TV shows and live events for a while now, and it only makes sense that this phenomenon is now influencing ratings outside the U.S. as well.

But there’s another factor at play here that shouldn’t be underestimated, and that’s the BBC’s iPlayer and its ability to keep people connected to a show even if they happen to miss an episode. The Beeb once again reported record usage for the iPlayer in 2010, clocking up more than 900,000 requests for single episodes of hit shows like The Apprentice. However, most of these requests were coming from PCs; connected devices simply don’t matter yet, at least not in the U.K..

This suggests people catch up on shows via their PCs, then turn to their TVs to watch the next episode of a show in real time. Of course, this behavior could shift once Internet-connected TVs and other devices become more commonplace, but even then, Twitter might save the day. You simply don’t want to show up late to the water cooler.

Check out this excellent NewTeeVee Live talk about Twitter as the new global water cooler from Twitter’s Robin Sloan:



By Janko Roettgers, GigaOM